viewassam: Tours and Travels in North East India

viewassam: Tours and Travels in North East India: A Glimpse of Biodiversity in Assam People across the world are quite attracted because of diverse beauties of nature, culture and traditions...

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Srimanta Sankardeva Kalakshetra - A place to visit in Guwahati, Assam

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If you are visiting Guwahati, the state capital of Assam, India, then visit the Srimanta Sankardeva Kalakshetra. It is a park cum Cultural institution of Assam. On your visit, you will be exposed of  culture  and tradition of people of Assam, which are preserved in a systematic and Scientific manner.Assam is a land of diverse ethnic groups and sub groups who have created a mosaic of Assamese culture and tradition and it is considered to be the essence of the State. The institution is named after the great personalty of Assam, Srimanta Sankardeva, who is one of the greatest integrators of the Indian Society of the fifteenth century. The. institution attempts for the preservation, restoration & research of the rich cultural heritages of Assam. Address  Srimanta Sankardeva Kalakshetra Panjabari, Guwahati Assam, India Ph: +91-361-2332665 E-mail: kalakshetra@rediffmail.com  ...
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Sattriya Nritya or Sattriya Dance

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Sattriya Dance or Sattriya Nritya is a traditional dance of Assam created in 15 th century by Vaishnav saint Srimanta Sankardeva. It is one of the eight major Classical dance of India. Now it has been recognized as a national dance OF India. Earlier these dances were performed in the sattras ( Assam’s monasteries) . This traditional dance was performed as a part of Ankiya Naat- a one act play developed by Sankardeva. As this dance grews and developed in the Sattras it was called Sattriya Nritya. These Sattriya Nrityas are performed basically on Mythological stories . With the help of these dances the mythological stories were presented so that people could easily understand it in an immediate and enjoyable manner. Traditionally it was performed by Bhokots or male monks as a part of their daily rituals in monasteries but now it is performed by both male and female. The performing area also widens from monasteries to stages.
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